My Contribution to the Cine Capri Model

Stain glass window in the original Cine Capri lobby, circa 1998. Photo by Harold Williams.

So here I am, thinking I’ve got this. I’ve got a highly skilled man working on the Cine Capri model, I’m working on the charity fund raiser for the museum opening, and we’re all good. Then I get a phone call from Harold Williams. Someone needs to recreate the famous stained glass window from the lobby, and that assignment goes to me.

Ever had one of those moments when you hear yourself saying, “Sure, I’d be happy to. No problem,” while at the same time, the voice in your head is shouting, “How the hell am I going to pull this one off?” Yep, it was that kind of a moment. Granted, I had a degree in art, but I’d spent the last few years laying out magazine pages and print ads on a Mac. This project would be something completely different, and something I’d never done before. Gulp!

Harold sent me a photo of the window, which I enlarged and taped to my kitchen window, and then I traced the basic outlines with a pencil. The next step was to dig up my old t-square and triangles, (could thing I hung on to them after going digital), and tighten up the drawing, taking my best guess as I added the details that didn’t present well in the photo. With that the hardest part was done. All that was left to do was to scan the drawing into the computer, fill in the colors with PhotoShop, and take the file to Image Craft for outputting the file onto clear film. Thank goodness Doyle, my model builder, sent me a detail drawing from the blueprints, so they would have the proper scale for the output. Then, voila, it was done. The “window” went back to Doyle, and it remains on the model today.

The original window was created by a glass artist in New York. At the time the original Cine Capri was built, Camelback Mountain could be seen from this window, and the stain glass was designed to be a representation of the sun rising over Camelback Mountain. As the neighborhood grew and developed, the view of the mountain became obstructed, but I think “Uncle” George had this in mind when he had the window commissioned. Unfortunately, he no longer had any record of who the artist was, much less have any of the artist’s drawings, which means I’ll never know for certain if my recreation is completely accurate or not. It is, however, a very close facsimile.


Hand drawn window rendering by Gayle Martin.
Window rendering from the original Cine Capri blueprints, with notes from model builder Doyle Hostetler.
Color proof for the Cine Capri model window.